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Singer Sona Mohapatra lashes out at ‘sexist’ IIT-Bombay’s Mood Indigo Fest

Sona Mohapatra is an artist, singer & performer who has defied the Bollywood route to popularity with her full blooded voice, electric style and performances.

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Sona Mohapatra. Twitter
New Delhi, December 17, 2016: Our still patriarchal and not entirely turned egalitarian society shows the reasons why it is difficult to become a full fledged equal society. And these symptoms not just out laugh, our hopes and dreams of equality in our society but also make us feel sad about the current scenario. But we can expect such symptoms from the backward areas of our society where education has not seeped in. When it comes from one of the most reputed educational institutions in our country, we don’t quite know how and what to say. In a recent sexist incident against the popular singer Sona Mohapatra, IIT Bombay’s annual fest,”Mood Indigo” decided by themselves that a single woman on the stage won’t make quite such a statement than it would if she is accompanied by a man. No seriously, how obsessed is our society with this one creature? Sona Mohapatra claims that they put forth a caveat on her performance stating that she must be accompanied by a man on stage. A solo female headliner was strictly not permitted.

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But, Sona Mohapatra was not one of those to give in to the sexism displayed by this institute. In a strongly voiced Facebook post, the singer slammed down the Mood Indigo committee. Here is the post where she showed the institute that they are nowhere up but down in the cesspool of sexism and misogyny:

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Dear Mood Indigo,
IIT Bombay,
You claim that you are Asia’s ‘biggest’ cultural fiesta & take pride in being a premier institute of highest learning in the world too. I LAUGH at that claim & call you out straight up on this date for actually being a cess-pool of mediocrity instead.
All the mathematical equations in the world will not be able to teach you the equation of fairness. All the ‘balancing’ of equations count for nothing if you do not seek a balanced world. All the formulae in the world will not teach you the idea of making a true difference in the world & all the sponsorship, hype, marketing & branding of the world will not cover up the fact that you are a training ground for the worst kind of ‘boys clubs’ that create an imbalance in the world!!
What cultural festival has for decades showcased only men headliners on their stage, be it music, literature, politics, comedy or ANY other domain????? Yours, Mood I.
‘Most’ college campuses in India, esp the premiere institutes of course, follow suit & ‘copy-paste’ this disgusting blueprint of yours. Don’t believe me? Please do check out the archives of the line ups you have showcased year after year & start by scrolling down your own current FB festival page today. You have good company in festivals like NH7 & other big music festivals in such discriminatory practices, so take heart (one Anoushka Grammy Shankar doesn’t change the obvious, yo boys!)
So yes, your ‘boys clubs’ are quite a ‘brother-hood’ outside of the campuses too! Everyone passing out into the real world has been taught these lessons well in their colleges apparently.
The only few human’s of my gender who have landed up ‘performing’ in this ‘cultural’ festival are either ‘not paid’ or could, only under the umbrella of another man or in a ‘troupe’ of some kind.
That you don’t even see the blatant sexism that your institute & festival is propagating is sickening.
For three years in a row I’ve been getting calls from your Mood-I committee members for a concert in your festival but the invite always comes with a caveat. A BIG caveat. A non negotiable caveat.
A ‘MAN’ needs to be clubbed in on the marquee to validate my stage, a paid stage in particular. A SOLO FEMALE headliner? Want to be paid a price? Just not possible. The ‘men’ have homes to support, we women just ‘work’ for ‘fun’!
Don’t believe me? Go through your festival line-ups year after year, decade after decade & you will see this clear as day. You are people with a scientific temper who understand statistics & the like? You’ll see the SAD truth slap you on the face. It’s boys, boys & only more boys. The payment part is not so obvious & for now you will all just have to take my word for it.
Does it effect me personally? Am I shedding tears of sadness about missing this great opportunity to entertain & blow your minds with my act? NO, not really. I’ve carved out my career path successfully despite the odds & am playing a lot of solo headlining gigs with my band SonaLive, 11 concerts in the last fortnight alone. No colleges except the ‘ladies only campuses’, as usual.
Why even write this letter then? Well, it is gut wrenching & it takes effort & all the love in my heart for my country to do so. That the premiere educational institutes of the country are blindly propagating such values while the government is putting a spotlight on the plight of the ‘Beti’s’ in the country in their public campaigns in 2016 is ironical. You ought to be leading the way in my not so humble opinion not just counting on the government for everything. You have no business being in the business of education using this country’s tax-payers money when you do not pursue its constitutional ideals. That your students are supposedly the top ‘intellect’ of our country & are being groomed to be in the top echelons of our country’s future scares me.
They will go into the real world with this deep conditioning & this cycle of shit will continue till it gags our society & mankind!
I was advised by my well wishers to refrain from posting this letter. ‘Why come across as a trouble maker when things are going so well for you’, they said. Will only bring on negativity & harm your current touring & work. Truth is, very few people have the stomach to digest ugly truths, let alone tell them. Life here is tough as it is?
I am proud of the fact that I do not add ‘glamour’ in other music directors ‘troupes’, get any work from them whatsoever & have yet lasted out & am playing 2-3 hour uncompromising concert sets in the biggest stages of the country. I am the most proud of the fact that my audience & fans love me for my own music & for being myself. My work with Ram Sampath is basis an equal work partnership where both of us contribute to a project, 50/50. Nothing more, nothing less. No favours given or taken. Only mutual respect. I have a young band of amazing musicians, all men at this point & all of whom have no issues backing a female solo artiste. In fact, they are unaware of my gender I believe. They tell me when I’m great on stage & are equally okay telling me if I’ve had an off day. I have a life partner who shares the same value & belief system & is unstintingly committed to the cause of equality of all kinds in society.
These are MEN amongst MEN.
So all in all, life’s great but I do dream & work for a future where we are ALL conscious about fighting for the right thing. Whenever anyone makes me feel like a second-class citizen in my own country, I will call you out. I urge you all to do the same. Everytime you forget that I am indeed equal, I will call you out. I urge the rest of you to do the same. I am asking for all my opportunities basis hard work, merit & talent. I am no privileged Birla daughter cutting the line & lip-syncing a ‘plus one’ song on a global festival stage. My journey has been long, hard, tough but satisfying & rewarding. A big part of the reward is that I have an audience that listens to me even when I am not singing. They hear me, understand me & give me the strength to stand up & speak my mind everyday.
I thank them every moment.
All of you attending Mood i, I do hope that you enjoy yourselves thoroughly. Do take a minute to think about what I said though. With an open, unbiased, clear mind. If this letter even changes 5% of the gender mix on stage in the coming days, I’ll consider my time well spent, although my gender actually constitutes close to 50% of the population. If it doesn’t, I’ll keep working towards doing so in ANY case.
Cheers.
Merry Christmas.
Happy New Year.
Big love,
Sona Mohapatra

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We just hope that IIT Bombay would first change its “Mood Misogyny” to “Mood Philogyny” and then organise the fest.

– by Shambhavi Sinha of NewsGram. Twitter:  @shambhavispeaks

 

Next Story

Know How The Content Providers Seem To Have Decided To Capture The Attention Of Masses

There are voices that the OTT content should come under CBFC certification. It is reported that at the CBFC, while the films from big makers are cleared out of turn so that they can meet their scheduled release dates, makers of smaller films have to wait a long time for that kind favour from the censors?

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Usually, the films with family entertainment, RomComs or mildly plausible action films work (Salman Khan types). The religious and saas bahu family themes have been hijacked by television channels. Pixabay

By Vinod Mirani

When a fad invades India, it does so in hordes. May it be mobile manufacturers, car makers, and so on and so forth. But, now, we have a line-up of streaming content providers. They enjoy an open, unhindered run on your small screens.

Usually, the films with family entertainment, RomComs or mildly plausible action films work (Salman Khan types). The religious and saas bahu family themes have been hijacked by television channels. Presently, though suddenly, we are now into this genre called nationalism/patriotism and biopics. But, that market is flooded and all future announcements for forthcoming films seem to be on patriotism and biopics! Not long before the law of diminishing returns takes over.

In fact, this week’s release, Romeo Akbar Walter, may prove to be an indicator to that considering the lukewarm reception the film has got. The thing is, those people who want to watch these films, they are mainly available in cinema halls. These films would not be as much fun on a small smartphone/tablet screen, also known as Over The Top (OTT).

The content providers seem to have decided to capture the attention as well as the initial eyeballs through a nonconventional way; providing content which is not available on cinema screens. That is to majorly deliver content that is morbid, gory, semi pornographic, drugs and all those things that are repulsive to a normal entertainment seeker and the family audience. Now this is the content designed for personal viewing with no one else watching over your shoulder!

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The CBFC does not work on precedents. Does not matter that a number of films, Hollywood as well as Indian with lengthier kissing scenes, have been passed with UA certificate! There is no consistency in policy. Pixabay

The target viewer is the youth and the purpose is to change their taste and preferences. Indian, Spanish, Mexican, all the content that I scanned through had gore, sex, and all that as common as well as the dominant factors. While providing such content, there are also some decent features but not enough yet.

But, how long can this trend last? There was an era when Malayalam films with a lot of titillation and suggestive sex were dubbed in Hindi language and, for the interior audience, interpolation was a regular practice as explicit sex scenes from porn films were added. They worked for a while but faded soon.

So, the issue is, while the Central Board Of Film Certification (CBFC) makes all kinds of demands from a feature film producer before his/her film is approved for public exhibition, this morbid mobile OTT streaming goes unchecked! The CBFC, in fact, has become the moral guardian of the Indian moviegoer; one to check on its ethics and morals!

Pahlaj Nihalani, the recent past Chairman of the CBFC, asked to delete a kissing scene from a Bond film from some 15 seconds to six seconds. Isn’t that ridiculous considering that Nihalani in real life can’t finish a sentence without adding a couple of BCs and MCs no matter if women or kids are around! Is it possible that a single panel member of the examining committee of CBFC, who watches films to rate them, has never watched an illicit porn film? And, to think that these people think a film is kosher only for six seconds, not 15! Do this politically connected panel members really qualify to sit in judgement over what the people should watch? That has been an eternal debate.

The CBFC does not work on precedents. Does not matter that a number of films, Hollywood as well as Indian with lengthier kissing scenes, have been passed with UA certificate! There is no consistency in policy. As is the wont of Indians, a seat of authority robs them of logic. It is a high to be able to judge others, especially when in an official position. As a rule, this lot found fault with every film presented for clearing. For example, the examining committee suggested 14 cuts to a children-oriented film, Mr India, in 1980. I can quote numerous such examples.

But, the issue is about parity. That is to say, while almost all other mediums are free of a watchdog, why are films censored? Why not OTT content? Come to think of it, what does the ‘power’ that the CBFC panel members and the Chairman
amount to when a motely mob negates their certification and blocks a film? Padmaavat, Manikarnika and so many other examples.

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Also, considering every other so-called group or organization or a community can ignore CBFC clearance and block a film’s release, the Board means nothing. And, this despite the highest court order ages back that the CBFC is the ultimate authority on cinema content! Pixabay

Coming back to streaming content and films, how come the film, PM Narendra Modi, is denied even the courtesy of a screening for the examining committee yet while the streaming episodes on the same subject, Modi, are already on people’s mobiles? So, how is the CBFC and Censor Certificate relevant anymore when a biopic on a person is blocked indefinitely while the same subject OTT platform, Modi: Journey Of A Common Man, produced by Eros Now, has already started streaming?

There are voices that the OTT content should come under CBFC certification. It is reported that at the CBFC, while the films from big makers are cleared out of turn so that they can meet their scheduled release dates, makers of smaller films have to wait a long time for that kind favour from the censors? In that case, suppose OTT content had to pass through censors, what would be the scene? Would it be the Amazon and Netflix that will get priority or a score of others who apply? After all, big shots get priority! Imagine the chaos that can follow. A 30-minute episode can end up
being chopped off to 15 minutes and the second episode of a series may appear weeks after the previous one!

Also, considering every other so-called group or organization or a community can ignore CBFC clearance and block a film’s release, the Board means nothing. And, this despite the highest court order ages back that the CBFC is the ultimate authority on cinema content! Something needs to be set right in the Cinematograph Act. To start with, the word Digital Content, should be made part of the Act.

@The Box Office
*The latest release, a highly promoted film, Junglee, just about manages to stay afloat. With a meagre opening day collections of three crore, it managed a face-saving weekend of around 13 crore. The film had a tapering effect at the box office with the start of the new week and closed its first week with a total of over 19 crore.

*The other release of the week, Salman Khan’s production, Notebook, failed to make its mark. With an opening weekend of Rs 2.3 crore, it had a low opening week figures of Rs four crore.

Also Read: Cambodia Approves Hydropower Dam, Solar Energy Plant to Meet Electricity Demand

*Akshay Kumar carries Kesari on his popularity though a regional subject with a limited appeal, it collects Rs 19 crore for its second weekend and Rs 30 crore for its second week taking its two week tally to Rs 135 crore.

*Badla has collected Rs 5.3 crore in its fourth week to take its four week total to Rs 79.3 crore. (IANS)