The Badshah of Bollywood, Shah Rukh Khan, has recently posted a photo on his Twitter timeline. The photo depicts a cute comparison between SRK and his little son, AbRam.
Millions of SRK fans have strongly agreed that AbRam is a carbon copy of the actor. However, SRK’s sister, Shahnaz, is of the opinion that the cute son stands nowhere when it comes to being ‘handsome.’ But, we bet your sister was joking, right SRK?
Sisters r so sweet.I asked mine if she remembers if I looked like lil AbRam.She said “NOO!!U were very handsome” haha pic.twitter.com/tnlbVnFrvD
San Francisco, Nov 19: In their bid to combat fake news and help readers identify trustworthy news sources, Facebook, Google, Twitter and several media organisations have joined the non-partisan “The Trust Project”.
“The Trust Project” is led by award-winning journalist Sally Lehrman of Santa Clara University’s Markkula Centre for Applied Ethics.
Starting from Friday, an icon will appear next to articles in Facebook News Feed.
When you click on the icon, you can read information on the organisations’ ethics and other standards, the journalists’ backgrounds, and how they do their work.
“Leading media companies representing dozens of news sites have begun to display ‘Trust Indicators’. These indicators, created by leaders from more than 75 news organisations also show what type of information people are reading a” news, opinion, analysis or advertising,” the university said in a statement.
Each indicator is signalled in the article and site code, providing the first standardised technical language for platforms to learn more from news sites about the quality and expertise behind journalists’ work.
“Google, Facebook, Bing and Twitter have all agreed to use the indicators and are investigating and piloting ideas about how to best to use them to surface and display quality journalism,” the university said.
German press agency DPA, The Economist, The Globe and Mail, the Independent Journal Review, Mic, Italy’s La Republica and La Stampa, Trinity Mirror and The Washington Post are among the companies starting to go live with “Trust Indicators” this month.
The Institute for Non-profit News has developed a WordPress plug-in to facilitate broader implementation by qualified publishers.
“An increasingly sceptical public wants to know the expertise, enterprise and ethics behind a news story. The Trust Indicators put tools into people’s hands, giving them the means to assess whether news comes from a credible source they can depend on,” Lehrman explained.
The eight core indicators are: Best Practices; Author Expertise; Type of Work; Citations and References; Methods; Locally Sourced; Diverse Voices and Actionable Feedback.
New organisations like the BBC and Hearst Television have collaborated in defining the “Trust Indicator” editorial and technical standards, and in developing the processes for implementing these.
“Quality journalism has never been more important,” said Richard Gingras, vice president of news products at Google.
“We hope to use the Type of Work indicator to improve the accuracy of article labels in Google News, and indicators such as Best Practices and Author Info in our Knowledge Panels.”
“The Trust Indicators will provide a new level of accessibility and insight into the news that people on Facebook see day in and day out,” said Alex Hardiman, Head of News Products at Facebook.
A growing number of news outlets are expected to display the indicators over the next six months, with a second phase of news partners beginning implementation work soon. (IANS)
Actress Radhika Apte feels that sexual abuse does not only exist in the world of showbiz but takes place in every alternate household.
“Sexual abuse takes place in every alternate household. So it’s not a part of just the film industry. You have so much child abuse, domestic abuse everywhere in the world, including India,” Radhika told IANS over phone from Mumbai.
She says it exists in “every field and household at some level or the other and that it all needs to be eliminated”.
Sexual abuse does not target just women, stresses Radhika.
“It’s also towards men, little boys and everybody. People exploit their power at every level.”
Radhika asserted that this needed to change.
“I think it starts from us putting our foot down and saying ‘no’ to things, however big your ambition is. You need to be brave about it, believe in your own talent, say ‘no’ and start speaking up because if one person speaks up, nobody is going to listen to him or her. But if 10 people do, then others would (listen to them),” she said.
The “Phobia” actress, who will be seen mentoring budding filmmakers in MTV’s upcoming digital show “Fame-istan”, says there has to be a more organised platform for people to work.
“There has to be more professional platforms as well as rules in place which is slowly happening.”
Sexual abuse has been a topic of debate in Bollywood and Hollywood. Prominent names from the entertainment industry are discussing how men in power take advantage of women in exchange for taking forward their dreams.
The sexual harassment saga started when a media house published a story in October revealing numerous accusations of sexual abuse against Hollywood producer Harvey Weinstein.
But why are no names taken in the case of casting couch in Bollywood?
“Because of fear, because people who have great ambitions are afraid. They think of what will happen to them if they take somebody’s name who has so much power. That’s what I am saying. Everybody has to speak up,” she added.
Radhika ventured into Bollywood in 2005 with “Vaah! Life Ho Toh Aisi!” and since then has explored genres like thriller, drama and adult comedy with films like “Rakht Charitra”, “Shor in the City”, “Badlapur”, “Parched” and “Hunterrr”.
Was it a conscious decision to act less in commercial entertainers?
Radhika said: “Nothing like that. You have to choose from the work that you have. You can’t say that ‘I want that’ if that’s not been offered to you. So, whatever is offered to you, you choose from that. You make your choice whatever you feel is going to be more challenging or something that inspires you or excites you.”
She says she makes her choices in the “spur of the moment” with whatever she feels intuitively. “I am not a very big planner.” (IANS)
“Let me tell you, I feel like a newcomer,” Sridevi asserts, breaking into a giggle almost reminiscent from her ahead-of-times 1991 film “Lamhe”, even as she prepares to let her elder daughter loose in the Bollywood world. She says nothing comes easy in life, and she is sure her Jhanvi is ready to face the challenges.
Jhanvi, who is frequently followed by the paparazzi in Mumbai, will reportedly foray into films with a remake of Marathi hit “Sairat”.
Steering clear of divulging details about Jhanvi’s debut, Sridevi told IANS over phone from Mumbai: “She has chosen this path and profession, and I have been in this industry for long. So I am mentally more prepared than her. She has been watching me, and knows what she is getting into.”
“Nothing is going to be a cakewalk in any profession. So you have to work hard, and there will be challenges. I’m sure she is ready for it.”
The charismatic actress made a powerful comeback of sorts with “Mom” earlier this year — five years after her delightful plain Jane avatar in “English Vinglish”.
As “Mom”, which will soon release in Russia, nears its world television premiere on &Pictures on Saturday, Sridevi — who also has daughter Khushi — spoke about her worries as a parent.
“I’m of course worried when they go out, but luckily, they know their limits and they are very responsible children. When you have responsible children, half the battle is over. So, you don’t have to worry. But you are concerned. The concern will never go, and you’ll always be conscious about them,” said the 54-year-old.
Sridevi has been a big screen delight since her Bollywood debut with the 1978 movie “Solva Sawan”. But acting is something she started when she was all of four. In Hindi cinema, “Himmatwala”, “Mr. India”, “Chandni”, “Sadma”, “Nagina”, “ChaalBaaz”, “Lamhe” and “Khuda Gawah” are some of the films which established her footing as a performer who took woman power seriously.
The trait has continued with “English Vinglish” and “Mom” — in both of which she played the strong role of a mother effectively.
While most women actors in India complain about lack of roles for older actresses, Sridevi retorted: “Let me tell you, I feel that my career has just started, haan (giggles). I feel like a newcomer, and I feel that my career is going to start now. It’s not finished, it’s going to start now.”
She is also unlike many others — even much younger actors — who are putting their life story into books.
“Arre, maine kuch achieve nai kiya (I haven’t achieved anything), where I write about my story or my book. There’s a long way to go. There’s nothing, nothing like this,” she said, sounding almost ignorant, but humble, of the fan followers of her emotive power and fluid dancing skills.
At this point, she is just enthused to deliver more.
“There are definitely two films that are coming up, but it’s too early to talk about it. (There’s) Nothing I can say right now,” she said.
Over the years, Sridevi has not just embraced the changes in Indian cinema, but also opened up herself to an environment where celebrities — as opposed to her own shy self in her earlier days — need to go all out to promote her projects.
“Look, with the time, I have definitely opened up. I am definitely introvert and shy, and have never been rude to… I’ve definitely been shy, but thanks to my children, I have opened up. Somewhere, you have to change with the time.
“You can’t be like what you were… It doesn’t work that way. And do that (change) within your comfort, not by going out of it.”
That besides, she says a positive frame of mind, helps her look forward to what life has to offer.
“Be in a positive frame of mind, be happy, fulfil your goals, work hard… It never goes waste.”