Reviving the vestiges of Hindu mythology, Sujoy Ghosh’s attempt at recreating the titillation and a subversive idea of patriarchy has kicked off a furor across the board.
Ranging from applauds to criticism, literary ostracization to video leaks, the 14 minutes saga, Ahalya, has left people stupefied at the maverick’s masterpiece. If mulled over considerably, Ghosh’s new take at the forlorn mythological character has rendered a new method of presenting myth with a post-modernistic approach.
The original story kicked off with Brahma’s daughter Ahalya marrying Gautama. Being irked at the duo’s union, Indra donned Gautama’s look and bewitched the charismatic and coveted Ahalya. Gautama on running into Ahalya and Indra’s conjugal moves punished both of them. Ahalya was turned into a stone whereas Indra was cursed with a thousand female genitals hanging from his body.
Ghosh’s masterwork despite being a revamped version brings forth a modernized take on the same. The story kicks off with inspector Indra knocking at the door. The tale in its very first scene unravels the mythological characters, with a tinge of stealth and spookiness encapsulating it. Ahalya, in the mythological version, was portrayed as coy and overmodest; however, Ghosh’s Ahalya was charismatic and bold feigning to be demure.
Contrary to the original version, it was the stealthy lass who entices Indra, while Gautam Sadhu (Gautama)- Ahalya’s grey-haired husband- witnesses the furtive advances of her unbridled spouse and Inspector Indra’s lechery gradually creeping in. However, cracking upon the stereotype Ghosh’s Ahalya gets salvaged despite her adultery and Indra gets fixated and reduced to a doll.
From Ramayan to Mahabharat, every Indian mythological cock-a-hoop had a tinge of patriarchy engraved in it. Be it Sita being asked not to transgress the Lakshman rekha or Draupadi being at receiving end, begging and wailing for help, while Pandavas stood helplessly at the behest of their adversaries’ advances.
Every Indian mythological tell-tale sets forth a tone of a strong patriarchal order where in the woman is nothing less than a medium to corroborate the strength and virility of the male characters. Lord Rama wouldn’t have been charismatic and enchanting enough had not Sita’s vehement cries for help, after being abducted by Ravana, juddered Rama and forced him to put his prowess at work.
Similarly, despite Ahalya being the prime character of the mythological tale, was reduced to a mere tool, a bait with Gautama’s and Indra’s prowess nibbling on it. Indra in a bid to get back at Gautama used Ahalya as a pawn. Despite, Ahalya’s unadulterated intentions and being beguiled in a trap, she was censured and chastised.
Ghosh’s version of Ahalya has touched upon issues like- deconstructed patriarchy, chauvinistic normativity, female virility and sexuality respectively. The furtive advances of Ahalya ravel out a new era wherein female adultery isn’t ostracized and castigated.
Further, his attempt at deconstructing the generalized power order, has set forth a stage to present mythological narratives with a post-modernistic flavour; for instance, may be a refurbished Ramayan might roll out a plot wherein Rama has to give an Agnipariksha for accusing Sita of adultery, or where Pandavas’ virility get tested to which Draupadi stands helplessly.
Women like Sheryl Sandberg, Arundati Bhattacharya, Indra Nooyi, Ursula Burns and Annie Wintour have achieved powerful positions defeating the patriarchal norms.
They are an inspiration to the millions wanting to succeed in life.
Sep 15, 2017: There was a time when very few names like Indira Gandhi and Kalpana Chawla were heard in the names of empowered women. But, times have certainly changed as every girl next door is now educated and independent. She is not just breaking the stereotypes but also setting a benchmark for a million more to become like her.
With a new wave of feminism being witnessed across the world, women are not just getting into various sectors but also leading it. Below are the examples of the World’s most powerful women whose work and strength are truly inspiring!
Sheryl Sandberg, who served as the Chief Operating Officer for Facebook for four years has played an imperative role in the firm’s success. She is now a board member of the enterprise. Sandberg has been a strong advocate of feminism and equal work pay. She has also founded LeanIn.org, an organization for the empowerment of women across the globe.
2. Arundhati Bhattacharya
Arundhati Bhattacharya is the current Chairman of the State Bank of India (SBI) and one of the most successful bankers of India. She has been a crucial part of the digitization of the system of SBI; thereby, keeping it at the number one position in the list of Indian banks. In 2016, Forbes magazine listed her as the 25th most powerful woman in the world. Arundhati also focused on making the organisation employee-friendly, especially for women.
Indra Nooyi, the current chairperson and Chief Executive Officer (C.E.O) of PepsiCo is one of the most renowned names in the world business. From Forbes to Times, she has featured in the list of world’s most powerful women many times. Despite the heavy competition in the market, PepsiCo has not just retained its position in the market but reached unprecedented heights under her leadership.
4. Ursula Burns
Ursula Burns, the chairman of Xerox Corp is a role model for every woman out there. Fighting all odds and racism, she has reached a spot where she is known as one of the most influential personalities in the world. She was the first African-American woman to become the head of a Fortune 500 company.
She was the C.E.O of Xerox for from 2009-2016. She successfully established the company as a service provider, rather than just a manufacturer of printers and copiers during her tenure as the C.E.O.
5. Anna Wintour
Anna Wintour, British-American journalist, who has been the editor-in-chief of Vogue for almost two decades.
In 2013, Vintour became the artistic director for Vogue’s publisher, Conde Nast. Her trademark of a pageboy bob haircut and dark sunglasses has been extremely followed. She has always been praised for her support lent to the young fashion designers.
–by Megha Acharya of Newsgram.
NewsGram is a Chicago-based non-profit media organization. We depend upon support from our readers to maintain our objective reporting. Show your support by Donating to NewsGram. Donations to NewsGram are tax-exempt.
Mumbai, Sep 15, 2017: Bollywood actress Kangana Ranaut, often caught in controversies due to her outspoken nature, says she is not a man-hater, and that she hopes to see a society which does not need feminism.
The National Award-winning actress was present here at the Jagran Cinema Summit on Friday. During an interaction session here, she was asked about her opinion on feminism and why some people called her a ‘man-hater’ after her fiery interviews in the last couple of weeks.
In response to that, Kangana said: “No, I am not a man-hater for sure… I think feminism is something… a sorry state to be in any society. The gender equality should be there, where feminism doesn’t need to act like a medicine on inequality.
“We should not have feminists, we shouldn’t have all these things… We shouldn’t have feminism in society.”
Kangana has always made some unusual choices in films — be it “Fashion”, “Tanu Weds Manu”, “Queen” or “Simran” — and how bold she is about making statements on her struggles in her personal and professional life.
Asked about her courage, Kangana said: “See, a person’s opinion shouldn’t have to do anything with her profession. My profession should not determine my voice as an individual. I think before an actress, I am a woman and a citizen of this country with a free voice, and my voice should be free from all baggage.” (IANS)
Despite an active feminist movement, women in Islamic countries continue to remain outside areas of attention
Outrage emerged following Muslim chess player’s decision to not wear a hijab during a game, an issue that is yet to come under the radar of the Western feminists
August 22, 2017 : Unless you have been living under a rock, you would know the magnanimity of the worldwide feminist movement in support of women’s rights to be treated as equals irrespective of their nationality, religion or sexual orientation.
Upon comparison to the mainstream Western feminism, mentions of Islamic feminism do not occupy evident, or for what matter, visible part of conversations.
In 2014, artist Atena Farghadani was sentenced to an imprisonment of 12 years for posting a satirical caricature on Facebook as a protest against the proposed legislation against women’s rights and birth control. She was held guilty for ‘spreading propaganda’.
In 2015, 26-year old Iranian-British Ghoncheh Ghavami was arrested in Tehran for trying to attend a men’s volleyball match.
In 2014, Loujain al-Hathloul, a human rights defender in Saudi Arabia was first arrested for driving cars in a kingdom where it is forbidden. She was more recently re-arrested in June 2017, the exact reason for which has not been made public. However, Amnesty International believes the arrest has been made to curb her peaceful efforts to defend women’s rights.
Today, Farghadani, Ghavami and Loujain al-Hathloul have been reduced to mere names on a list of millions of women whose basic rights have been mercilessly desecrated.
Feminism’s guilty secret: It does not support All Women but only those it approves of.
But American feminists are yet to speak up about these injustices- they continue to be too occupied with their own victimization to raise voice against the injustices meted out to women like Farghadani.
The Western activist-feminists today are undoubtedly absorbed in struggles to liberate themselves from the grasp of the oppressive male hegemony. However, in their fights against phantom epidemics and unnecessary grievances, the gender activists today have deviated from the real fight against inequality.
In the last two years, Western feminists have often turned to social networking platforms to raise issues, draw attention and mobilize support. While the increasingly global reach of online networking sites like Twitter, and Facebook, and the inherent power of ‘hashtag activism’ can largely assist women find solidarity , the latest trend has been a far cry from the real cause.
In the last two years, some of the widely used hashtags were #FreeTheNipples, #LesPrincessesOntDesPoils or #PrincessesHaveHair and #BigUndiesOutForSam.
The former was a campaign to de-sexualize women’s breasts and the next promotes acceptance of body-hair on women. The third campaign drew support from women in favor of comfortable under-garments for women. Imagine, if the imprisoned Muslim women of Iran and Afghanistan, who lack political rights and are vulnerable to physical violence because of their faith, were to tweet, what would they say about these struggles? Will these be the issues they would raise, I doubt.
The World Economic Forum asserts an inverse relationship between women rights and states with Islam as dominant religion.
The Forum’s Global Gender Gap Report 2016 placed Islam as the dominant religion in the lowest ranking 44 states for women rights and equality (that means states un-supportive of womens’ rights). Evidently, in states that the report claims most supportive of women rights, the density of Islam followers is very low.
It will be wrong to say that because women in Islamic countries suffer at the hands of misogyny, the Western women should compromise with less serious prejudices. However, what needs to be highlighted is why feminist actions continue to be restricted to physical borders. Women in different corners of the world today have one thing in common – their fight for basic rights as upheld in the Universal Declaration of Human Rights. Why then are the so-called liberal women’s rights activists only raising issues of one section of people and not for all?
Feminism includes all races, genders and sexualities. If your feminism isn't intersectional, it isn't feminism at all.
In the Western liberal societies, the hijab has very recently emerged as a symbol of resistance to Islamophobia, against policies from President Trump’s administration aiming to establish divisions between ‘them’ and ‘us’. Western feminists have, since long, defended a woman’s right to wear the hijab. However, very little is talked about girls who ‘choose’ to not don the veil.
In January, Dorsa Derakhshani, an 18-year old Iranian chess grandmaster refused to wear a hijab at a tournament in Gibraltar and instead chose to wear only a headband. Her decision to defy the Iranian law which calls upon all women to wear a headscarf in public drew massive flack from staunch radical Muslims, following which she was kicked out of the national team.
The Somali born Ex-politician and feminist critic, Ayaan Hirsi Ali, who herself wore the burqa as a teenager, strongly believes that the debate over the controversial head covering is no more about religious or cultural practices but about the equality of women. “Expecting half of humanity to go around covered in black sacks is just evil sexism,” she had written for a report published in The Australian.
The author has repeatedly expressed her concern over the apathetic stance of western feminists in support of liberal Muslim women for which she has been increasingly labeled as ‘Islamophobic’.
However, what needs to be understood here is that raising questions on cultural practices in Islam does not make one Islamophobic.
American philosopher, Martha Craven Nussbaum had rightly pointed out that the feminist theory heeds diminutive consideration to struggles of women outside United States. While this may come across as demeaning to some, that does seem like the present day state of affairs.
The need of the hour is to shatter the dominant opinion which holds that Islam and feminism are not consistent and that one can either be a Muslim or associated with feminism but not both. This, however, can only stem from a larger understanding that human rights- including rights of women, are meant for all and not just a few and definitely must not be restricted by religion.
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