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Tagore Festival in Cairo celebrates the life and times of the Bard

Indian Embassy and Maulana Azad Centre for Indian Culture organise cultural events to commemorate Gurudev's 155th birth anniversary


By Shillpi A Singh

In 2016, May 8 coincided with Ponchishe Boishakh (25th day of the Baisakh month) of the Bangla calendar that also happened to be Nobel Laureate Rabindranath Tagore’s 155th birthday. To commemorate the birth anniversary of Gurudev, the Indian Embassy in Cairo and the Maulana Azad Centre for Indian Culture are currently hosting a five-day festival Tagore Festival that will end on May 12, 2016
Rabindranath Tagore. Wikimedia Commons
Rabindranath Tagore. Wikimedia Commons
“We take many small steps and build as many bridges as possible between the people of the two countries who share strong cultural bonds,” said Sanjay Bhattacharyya, India’s Ambassador to Egypt.
As a build up to the cultural event, the Embassy had organised a month-long online Quiz Completion, which started on April 10 and an essay competition in English, Hindi and Arabic on the Nobel Laureate. 
“There is a special bond between the people of the two countries, especially in the field of culture,” Sanjay said.
Day 1: Painting Exhibition and Book Launch
The Tagore Festival kick-started with an art exhibition showcasing the works of painters from 10 countries. “These 60 portraits on display in the exhibition are a visual representation of Tagore in the minds of artists from across 10 countries, including Egypt and India. It is a new perspective- looking at Tagore through the eyes of artists. We collaborated with the Egyptian Caricature Society in collecting the artworks,” Sanjay said.
The exhibition was inaugurated on May 8, 2016 by Gomaa Farahat, Chairman of Board of Directors, Egyptian Association of Caricature at Abaad Gallary, Cairo Opera House and will remain open for the entire duration of the festival.
Day 2: Book Exhibition and Dance Drama
“Tagore, Egyptian writers and intellectuals have had a long association. The works of Tagore are quite popular in Egypt. There are almost a dozen translations of the Gitanjali itself and 43 of his works have been translated into Arabic. The Egyptian Culture Minister is keen to take up a project to translate more classics and contemporary works,” Bhattacharyya said.
Egyptian scholars have translated many of Tagore’s works into Arabic and have also written several books on him. These books are available at the National Library of Egypt, which has collaborated with the Indian Embassy in organising an exhibition of all such books. The exhibition was inaugurated by Helmy Namnam, Culture Minister of Egypt. While the Culture Minister read an extract from Gitanjali in Arabic, the Ambassador read the same in English to add to the theme of the day. Dr. Sharif Shaheen, Chairman, National Library and Archives of Egypt was also present at the occasion.
The Ambassador and Farahat also released a book, Rabindranath Tagore: the Painter, on this occasion. The book has a message from the Ambassador, an introduction by R. Siva Kumar and another article by K.G. Subramanyam.
“It was gratifying to see the enthusiastic response of the people here. They had put up huge posters of newspaper articles relating to Tagore’s visit to Egypt way back in 1926. It shows their love for him and his work. We look forward to more such collaborations in future,” said the Ambassador.
Back cover of the book, Rabindranath Tagore: The Painter
A short film on Tagore was also screened on this occasion.
The Festival also featured Shapmochan (Breaking the Spell), a dance drama based on Tagore’s work by renowned Indian classical dancer Dona Ganguly and her troupe. Dr. Assem Nagaty, Head of National Centre of Theatre, Music and Folk Art, graced the occasion.
“Bollywood has many takers here in Egypt. I must admit, I was pleasantly surprised to see a huge turnout for the Tagore dance drama “Shapmochan” in Odissi dance style at the Cairo Opera House and I was delighted that the Egyptians enjoyed it. It was a stunning show and the performance by Dona Ganguly and her troupe was marvellous,” he said.
Day 3: Film Screening: Ghare Bhaire
The film Ghare Baire by legendary Indian filmmaker Satyajit Ray was screened to a packed house at the Hanager Arts Center, Cairo. Based on Tagore’s novel, Ghare Baire weaves a tale of love set in the chaos of the partition of Bengal and vortex of tumultuous emotions.
“The film Ghare Baire by Satyajit Ray is a sensitive depiction of nationalism and feminism within a tale of people in love who are swept away by their circumstances. It was a delight to watch the creative expression of the master novelist and master storyteller, once again,” he said.
Day 4: An evening of Rabindra Sangeet
Shreya Guhathakurta, a renowned Rabindra Sangeet exponent, presented Rabindra Sangeet or the songs written and composed by Tagore to the Egyptian audience at the Artistic Creativity Centre, Cairo Opera House. The performance of Rabindra Sangeet was preceded by a Short Documentary on Tagore “The Story of Geetanjali: Songs Offerings”, produced by the Government of India.
“Though Tagore’s songs relate to all aspects of our lives, the two important facets which will be featured are his songs on women and his affinity for nature,” said Ambassador, adding, “Guhathakurta is a renowned Rabindra Sangeet singer from Kolkata. She is known for her unique style- a fusion of the old style with a contemporary presentation of the songs that helps connect with the audience.”
Those present at the musical event included eminent historian and politician Prof. Sugata Bose from India and Minister of Industries Amir Hussain Amu from Bangladesh.
Day 5: A Seminar on Contemporary Literature: Tagore, Shawky & Mahfouz 
The festival will conclude on May 12 with a Seminar on Contemporary Literature: “Tagore, Shawky & Mahfouz”, which will feature Indian and Egyptian scholars and writers and will be conducted by the Supreme Council of Culture. The seminar will have two speakers from the Egypt and one speaker from India, noted historian and politician Sugata Bose. The Seminar will be moderated by Prof.  Amal El Sabban, Secretary General, Supreme Council of Culture, Ministry of Culture, Egypt. The Seminar will be held at the Council Hall of the Supreme Council of Culture, Cairo Opera House.
The Tagore Festival was organised by the Embassy of India and the Maulana Azad Centre for Indian Culture, Cairo, in association with the Egyptian Ministry of Culture, the Supreme Council of Culture, the Cairo Opera House and the National Library and Museum of Modern Art.  The Festival has also received generous support from Egyptian Indian Polyester Company (EIPET).
The Bard of Bengal:
Tagore was the first Asian to win the Nobel Award for Literature for his book “Gitanjali” in 1913. His poetry, novels, plays, short stories and essays are widely read in India and across the world. His songs have been set to music; his plays have been enacted as dance drama and his novels have been filmed.
Rabindranath Tagore while reading. Photo credits: Indian diplomacy and Indian Embassy, Cairo
He is an integral part of India’s literary heritage and a towering figure in Bengali literature, who continues to inspire creativity even in the contemporary world. 
For the last 75 years, Tagore has been invoked on his birthday with “He Nutan, Dekha Dik Arbar…”, a song specially written for the occasion, by the man himself.
Rabindranath Tagore with Gandhiji. Photo credits: Indian diplomacy and Indian Embassy, Cairo
It is a well-known fact that Tagore has written the national anthem of India (Jana Gana Mana) and also of Bangladesh (Amar Sonar Bangla). Tagore also penned the anthem of Sri Lanka at the request of his Sri Lankan student at Santiniketan, Ananda Samarkun, in 1938. In 1940, Ananda returned to his native land and translated the song into Sinhalese and recorded it in Tagore’s tune.
His Egyptian Link 
Rabindranath Tagore. Photo credits: Indian diplomacy and Indian Embassy, Cairo
Rabindranath Tagore first visited Egypt in 1878 and later as a famous poet-philosopher in 1926 when he met King Fouad and interacted with scholars in Alexandria and Cairo. His friendship with Egyptian poet Ahmed Shawqy is well known. He wrote a moving eulogy on his friend’s death in 1932. 
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All You Need to Know About the Sport of Jallikattu

Jallikattu is certainly a dangerous sports, which poses a risk of life for the participants

banned bull taming sport of Tamil Nadu
Jallikattu sport of Tamil Nadu. Wikimedia

By Ruchika Verma

  • Jallikattu is a traditional Tamil sport
  • The sport involves bulls and humans, the latter trying to control the former
  • The sport was banned in 2014, which created lots of controversies

Jallikattu or Sallikkattu, also known as ‘eru thazhuvuthal’ and ‘manju virattu’ traditionally, was in news last year, around this time due to the ban imposed on it by the Supreme Court. The ban was much hyped and gathered a plethora of media’s attention.

Jallikattu ban was much hyped. Wikimedia Commons
Jallikattu ban was much hyped. Wikimedia Commons

Jallikattu ban has also garnered lots of political attention due to the involvement of Tamil Nadu and Central governments. The issue is much hyped due to the political context involved in it too.

What exactly is Jallikattu? 

Jallikattu is a traditional sport and spectacle in which bulls of the Pulikulam or Kangayam breeds are released into a crowd of people, and multiple human participants attempt to control the bulls while they try to escape.

Jallikattu is seen as animal cruelty by many activists. Flickr
Jallikattu is seen as animal cruelty by many activists. Flickr

Jallikattu is practised in the Indian state of Tamil Nadu as a part of Pongal celebrations. The districts, Madurai, Thanjavur, and Salem are the most famous for conducting Jallikattu. The game dates back to Tamil classical period, which went back to 400 BC. Ancient Tamil Sangam literature described the practice as ‘Yeru thazhuvuthal’ which literally means “bull embracing.” With time the sport has become synonymous with valour and bravery.

Also Read: Tamil Nadu legalises Jallikattu with a New Law

What happens in Jallikattu and how?

The bulls participating in the game are all lined up behind a narrow gate and released one by one into the arena. The participants have to either control the bull by holding its hump or clutch away from a flag attached to the horns. Owners of the bulls often announce prizes for the man who gets the hold of their bull.

The objective of the game is not to kill or overpower the bull, but to hold onto their hump for a certain amount of time or distance.

The participants are only allowed to hold onto the hump of the Bull.
The participants are only allowed to hold onto the hump of the Bull.

There are three variants to the game. First, when the bulls are released from an enclosed area. Second, when the bull is directly released into the open ground. And third, when the bull is tied to a rope as the only restriction, and a team of 7-9 members has to untie the prize from the bull’s horns in 30 minutes of the time period.

The gate through which bulls enter the arena is called Vadi Vasai. The bulls charge at the men standing most near to the gate. One of the rules also says that a participant is only allowed to hold bull’s hump and no other body part. The other rules vary from region to region.

Also Read: Animal rights organisations challenge new law on Jallikattu

Jallikattu Ban and Controversy

Jallikattu is certainly a dangerous sport, which poses a risk of life for the participants.

In 2014, The Supreme Court banned the sport, endorsing the activists’ concerns according to which, Jallikattu is not only cruelty towards the animal, but also poses a threat to humans. According to the data provided, between 2010 and 2014, 17 people were killed and approximately 1000 were injured during Jallikatu.

The Jallikattu ban was protests by many Tamilians.
The Jallikattu ban was protested by many Tamilians.

However, the ban invited a lot of protests. Many Tamil communities called this ban a violation of their culture and tradition.

In 2017, many lawyers plead to remove the ban which was rejected by the court. After requests and arguments of Tamil communities, central government reversed the ban, however, after Supreme Court struck the order down, the ban was imposed again. However, the government of Tamil Nadu sanctioned the sport and brought it back into the practice.