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This Durga Puja Brings Narratives of Communal Harmony

Durga puja is exemplifying communal harmony at a time when the world grapples with religious animosity and social polarisation

Durga Puja
Durga Puja in at Bhopal Madhya Pradesh. Wikimedia

Kolkata, Sep 15, 2017: For over 200 years, the Nandi family in West Bengal’s Hooghly has been feeding Muslim fakirs during the Hindu festival of Durga Puja. To the Nandis, this annual ritual has its roots in a family legend that is testimony to the generosity of the local Muslim community.

It is also one of the myriad instances of the festival — the biggest in Bengal — exemplifying communal harmony at a time when the world grapples with religious animosity and social polarisation.

According to 80-year-old Satipati Nandi, the ninth-generation descendant of the family that claims to have been the “largest importer of betel nuts in eastern India once upon a time”, this Hindu-Muslim syncreticism comes naturally.

“It may sound as a big deal today but it all started centuries ago. It is said that two brothers, Kuber Shankar and Kama Shankar, were selling pakodas (fried snacks) in Halishahar in North 24-Parganas when they chanced upon a fakir who gave them a gold mohar (coin) to start an enterprise… revolving around the first thing they spot,” Nandi told IANS.

The rest is history.

The Nandis ventured into the betel nut business and eventually branched out into real estate, acquiring multiple properties across the state, including the present family residence at Pandua in Hooghly as well as land in Garia in south Kolkata.

Also Read: What makes Hindu Festival Durga Puja so popular in India? Know its Meaning and Significance 

“In remembrance of the generous fakir, we feed two fakirs on Navami (the ninth day of the festival). Now we usually do not find fakirs; so we offer khichdi to any two members of the Muslim community,” Nandi explained.

This communal integration has spilled on to the state capital Kolkata as well.

In the heart of Kolkata is Kumartuli — the potters’ enclave — which is in a state of frenzy with Durga Puja that is round the corner. The clay idols of Durga and her pantheon are being daubed in paint and their curves clothed in vibrant saris.

Their bald heads are carefully draped in jute wigs that have been painstakingly fashioned into braids and curly tresses for the Hindu goddess by Muslim craftsmen.

Neither blinding rain nor religion get in the way of business in this buzzing maze-like colony of potters and their assistants, labourers, decorators and tourists with selfie sticks — the point of origin of around 5,000 clay Durga idols each year.

Around 400 “shilpis” (craftsmen) churn out Durga and her children in crammed 6 by 10 foot studios, cloaked in tarpaulin sheets. The final touches, which begin around a fortnight before Mahalaya (September 19), include decking the idols in accessories.

“Draping the hair is an essential part of the process. The jute wigs are fashioned by Muslim families from Parbatipur near Howrah and other areas. A typical ‘sabeki’, or traditional idol, usually dons a curly and wavy wig. Essentially, they are mostly black but we do have variants of the wig in dark brown, rust and beige,” Babu Pal, a spokesperson for the potters, told IANS.

Slightly rough in texture, they are almost indistinguishable from your average wigs. Packed in bundles starting off at Rs 100, these are available as plaits, straight extensions for the sides or as wavy locks.

“Everyone comes to look at the idols. They admire, take pictures and go away. But it’s not just the idols… you have to assemble the goddess piece by piece. Muslim craftsmen usually fashion the dress material and the wigs. You may talk about cow politics and put a religious spin on it, for us it’s the way of life here… no one talks about this (Hindu-Muslim issues)… it’s business,” Pal elaborated.

According to Indologist Nrisingha Prasad Bhaduri, Hindu-Muslim integration during the Durga Puja was not uncommon in undivided Bengal.

“It has continued despite geographical barriers because the festival now is a huge industry. It provides employment to people from all communities. It’s only some politicians and communal-minded people who give it a different spin. During immersions too, everyone comes together to bid adieu to the goddess and family. She is looked at as a source of strength and not as a religious symbol,” Bhaduri added.

And you don’t have to look further than Begampur town in Hooghly district to see several Muslim families celebrating Durga Puja as a symbol of the common culture of the festival that unites Hindus with other minorities, at least in Bengal.

(This story is part of a special series that will showcase a diverse, plural and inclusive India and has been made possible by a collaboration between IANS and the Frank Islam Foundation. Sahana Ghosh can be contacted at sahana.g@ians.in)



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Founded in 2014, Swiggy aims to “change the way India eats” and is currently operational in cities like New Delhi, Gurugram, Mumbai, Pune, Kolkata, Bengaluru, Hyderabad and Chennai among a few others. IANS