Never miss a story

Get subscribed to our newsletter

Cairo International Film Festival of 2015. Youtube

Chennai, November 09, 2016: Three Indian movies are scheduled to be part of the Cairo International Film Festival that will run from 15th to 24th November. The most incredible news is that one of those three films, ‘The Narrow Path’ (“Ottayaal Paatha” in Malayalam) by brothers Santosh and Satish Babusenan, has gained its position in the main International Competition. The movie will compete for the famous festival’s top honors alongside 15 other titles from multiple countries like Poland, Egypt, Spain, France, and China.

A still from the movie ‘Ottayaal Paatha’ (The Narrow Path). Youtube

It is shocking that, Babusenans’ project has not been chosen by the International Film Festival of India (IFFI, scheduled to be held in Panaji from 20th November) for its Indian Panorama. Praised as a segment which showcases the cream of the Indian cinema, the Panorama 2016 is conspicuous by two other huge misses. And mind you, these films have been led by the masters: Malayalam project by Adoor Gopalakrishnan, ‘Pinneyum’ (Once Again), and Bengali creation of Buddhadeb Dasgupta, ‘Tope’ (The Bait). While any of the major film festivals — like Cannes, Berlin or Venice — will always program the creation of a master after its submission (and leave it to the critics and audience to judge and decide how good or bad it is), IFFI seems to have neglected this pivotal rule.

NewsGram brings to you latest new stories in India.

‘The Narrow Path’ is a wonderful and fascinating study of sacrifice and guilt, supreme sacrifice. Narrated through dispersed frames and economy of words, the film tells the audience the tragic story of how a son, Akhil (played by Sarath Sabha), is caught between his affection for his aged father, Vikraman (K Kaladharan), and his love for his girlfriend, Nina (Krishnapriya). The old man, who is completely bed-ridden with complications arising out of diabetes severely restricting his mobility; when out of bed, he has to hop on to a wheelchair for support, and needs constant care. When Nina, hailing from an upper class family, suggests to Akhil that the two run away to Bengaluru, the invitation becomes tantalizingly tempting. For him the new city will bring a fresh breath of much-needed oxygen, but being a son to his ailing father, he gets wracked by dilemma. Could he possibly leave his helpless father behind in the hands of paid employees?

Look for latest news from India in NewsGram.

The second Indian film, named ‘Half Ticket’ (a work in Marathi by Samit Kakkad), is a remake of the excellent Tamil project, ‘Kaaka Muttai’. Kakkad, whose first feature was ‘Aayna Ka Bayna’, informed this writer some months ago that he does not intend to touch the soul of the original work, but would merely make some cosmetic changes and modifications to comprehend certain nuances of the Marathi language. The setting would change to Mumbai, not Chennai as it was in the original, ‘Kaaka Muttai’, whose music-director, GV Prakash Kumar, had been roped in to score the Marathi edition as well.

A still from the Tamil project ‘Kaaka Muttai’. Twitter

Go to NewsGram and check out news related to political current issues.

‘Kaaka Muttai’ was a delightful watch- a story about two little boys, hailing from the slums, who go to the strangest and the quirkiest of extent, trying to gain the Rs 300 required purchasing themselves a pizza from an outlet that opens right next to their shanty. It is both hilarious and novel when the two kids get a makeshift pull cart for transporting the drunken men from the roadside bar to their own homes — to earn some cash. The kids also engage in picking coal dropping from the passing steam-engines to feed their little family of a mother (played by Iyshwarya Rajesh) and a grandmother. The father is behind the bars, and the wife struggles to get him out on bail.

An image of the movie ‘Lipstick Under My Burkha’. Youtube

The third entry of the Indian movies, ‘Lipstick Under My Burkha’ (‘Lipstick Waale Sapne’ in Hindi) by Alankrita Shrivastava, that won an award at the very recent Tokyo International Film Festival; depicts the tragic and painful lives of four women from Bhopal bearing the brunt of the societal prejudices. Inspite of being unhappy and unfulfilled, they are gutsy enough and they dare to dream. With an fantastic star-cast includeing Konkana Sen Sharma and Ratna Shah Pathak, Shrivastava’s creation was a blast in Tokyo — and may well be a huge success in the historic city by the Nile.

– by the NewsGram team


Photo by Flickr.

Swastika, one of the sacred symbols used by many religions like Hinduism, Jainism, and Buddhism.

The symbol of Swastika is known to signify peace, prosperity, and good fortune in the religious cultures of Eurasia. In fact, this symbol is considered very significant in Hinduism, Buddhism, and Jainism. But, at the same time, it has become one of the most misunderstood religious symbols and has been globally banned in many countries.

The reason why the symbol of Swastika is banned in many countries is because of its association with Adolf Hitler's extreme political ideology, Nazism, as Swastika as its official symbol.

Keep Reading Show less

Since emerging into the public eye with a historic gold medal at the junior world championships in 2016, he has maintained a high level of performance

India celebrated a historic day on August 7, as 23-year-old Neeraj Chopra became the first Indian to win an Olympic gold medal in athletics. In the men's javelin throw event, he achieved his greatest triumph, throwing the javelin 87.58 meters on his second try.

Neeraj Chopra was born on December 24, 1997, in Khandra village in Haryana's Panipat district. He grew up in a Haryanavi family of farmers. He is the brother of two sisters. He graduated from Dayanand Anglo-Vedic College in Chandigarh and is now enrolled in Lovely Professional University in Jalandhar, Punjab, pursuing a Bachelor of Arts degree. Chopra was bullied due to his obesity as a kid, which prompted his father to enroll him in a nearby gym. He then joined a gym in Panipat, where Jaiveer Choudhary, a javelin thrower, noticed his potential and coached him. When the 13-year-old Chopra finished training under Jaiveer for a year, he was enrolled at the Tau Devi Lal Sports Complex in Panchkula, where he began training under coach Naseem Ahmed.

Keep Reading Show less
wikimedia commons

Gothic dresses displayed in a store

The emergence of the Industrial Revolution in Victorian England brought with it many apprehensions and fears that translated into a new genre in literature: the gothic. Today, the idea of the gothic does not have to much with literature as much as it is associated with fashion.

The Victorians began to wear black more often during the Industrial Revolution to hide the stains of soot on their clothes. Many of the working class were employed in factories. They were newly introduced to technology, the idea of coal as fuel, and the working of machines to serve a certain purpose. This kind of work was hard and messy. Wearing light colours burdened the tired folk when the stubborn stains did not get washed away.

Keep reading... Show less