Lucknow: Communal flare-ups, curfews and prohibitory orders have become the order of the day in Uttar Pradesh, India’s most populous state.
In recent times, communal clashes have taken place in at least 10 districts across the sprawling state, triggering both social and political tensions. The situation has come to such a pass that Governor Ram Naik has publicly rapped the Samajwadi Party government.
“I have been talking to the chief minister on this issue in the past and again plan to take it up with him,” Naik told IANS. He said the situation “needed to be improved” and fast.
With the festivals of Navratri, Dussehra and Moharram coinciding, small flashpoints were expected by the police.
But what has taken the security and intelligence agencies by surprise is the scale and magnitude of the violence in 10 districts.
These include Kannauj, Kanpur, Banda, Balrampur, Ambedkarnagar, Gorakhpur, Siddharthanagar, Allahabad, Kushniagar as well as Pratapgarh.
Some of these places didn’t see violence even in the aftermath of the 1992 Babri Masjid demolition in Ayodhya.
Pulkit Tandon, a chemist in Kannauj, says the developments “are very disturbing”.
Blaming the Akhilesh Yadav government, Tandon told IANS that both the government and the police seemed to be siding with “one community, so much so that the voice of the majority community is not being heard”.
Security forces conducted a flag march in Kannauj, famous for its ‘itra’ (perfumes), on Sunday. It is also the parliamentary constituency of Dimple Yadav, the chief minister’s wife.
Communal clashes erupted there last week after a major Durga procession was fired at Lakhan Chauraha, leaving one person dead and many others injured.
Policemen were attacked subsequently and vehicles were torched, leading to curfew.
In Balrampur, over the past few days, during a Tazia procession, stones were pelted at a religious place, leading to violence.
A procession was stopped by the administration in Pratapgarh, an elderly man was killed in clashes in Ambedkarnagar, two communities fought in Shohratgarh town in Allahabad, a youth was killed during a procession in Siddharthanagar, an idol was broken in Gorakhpur, two communities came face to face in Kasaya in Kushinagar, and people fought pitched battles with police in Turtipar Ghat in Ballia.
The Samajwadi Party government blames the Bharatiya Janata Party (BJP) for the turmoil. The latter says the government is levelling wild allegations to cover up its failures.
A retired Uttar Pradesh police chief blamed the force for failing to tackle the communal tensions and violence.
Bahujan Samaj Party (BSP) leader Swamy Prasad Maurya says the riots in Uttar Pradesh were a deep rooted conspiracy and the government was “a mute spectator”.
“The government has a lot to explain. Why has it not been able to control the riots?” the BSP leader asked while speaking to IANS.
Congress leader Nirmal Khatri too blames the government for the mess, and says it has failed to protect people and maintain law and order.
“What is more saddening is that even as communal violence is spreading, the administration seems to be trying to protect the mischief makers,” he said.
The state of Uttar Pradesh is regarded as an enshrined pilgrimage junction since the inception. Devotees from across the world solicit spirituality by visiting these temples of divine importance. Uttar Pradesh is known for its special attraction especially for the Hindu devotees since it is the birthplace for Vishnu avatars, Lord Ram and Lord Krishna.
Undoubtedly, you must show up at these temples on your visit to Uttar Pradesh and enjoy the majestic beauty, architecture and not miss, the devotional sound of the bells.
The listicle shows you a tour of these famous temples worth giving a visit in Uttar Pradesh.
Built on the outskirts of Vrindavan, the Prem Mandir is dedicated to Lord Krishna. It was structured by the Fifth Jagadguru Shri Kripalu Ji Maharaj. Statues of Lord Krishna and his followers cover the entire temple symbolizing the crucial events of Lord Krishna’s life and birth. The temple is known for its exquisite architecture and the sculptures. Devotees visit the Prem Temple to offer their prayings to Lord Krishna, during Janmashtami and Diwali.
Banke Bihari Temple
The Banke Bihari Temple of Vrindavan is a Hindu temple built by Swami Haridas, the solemn guru of the ancient singer Tansen. The temple is efficiently carved in Rajasthani style. The literal meaning of Banke is “bent in three places” and Bihari means “supreme enjoyer”, which suggests that the main idol Lord Krishna is in a Banke posture or the famous Tribhanga position. It has been claimed that Lord Krishna’s statue was hidden underground by a Hindu priest during the Mughal era. It was Swami Haridas who dreamt of Lord Krishna asking him to release the statue. Swami Haridas dug up the place, found the statue and built a temple for it.
Ram Janma Bhoomi Temple
Although Ayodhya is presumed as the birthplace of Lord Ram, it was in the town of Ram Kot where he was actually born. This temple is known as Ram Janma Bhoomi marking the divine presence of Shri Ram. Travellers visiting Ram Kot in Uttar Pradesh pay their homage to Lord Ram and admire the inscriptions on the temple walls depicting the life of Lord Ram.
The Gorakhnath Temple is one of the most popular temples in Uttar Pradesh and is believed to have been structured at the exact spot where Saint Gorakhnath had meditated. The main feature of the temple is the garb griha where the saint is depicted as an incarnation of Lord Shiva. Tourists also visit the pond next to the Goraknath Temple called Mansarovar for peaceful meditation or boat rides.
Shri Krishna Janbhoomi Temple
Shri Krishna Janmbhoomi is one of the most sacred places for Sanatan Dharmis (Hindus) since it is the birthplace of Lord Krishna. It is a prison cell belonging to his mama (maternal Uncle) Raja Kans where Lord Krishna was born.
Located in Mathura on the banks of river Yamuna, Uttar Pradesh, Shri Krishna Janmbhoomi temple is approximately 145 km from Delhi. The prison cell, commonly known as ‘Garbha Griha’, in the temple premise is the exact place where Lord Krishna was born.
This famous Buddhist site in Varanasi, Sarnath Temple is popularly known where Lord Buddha addressed his first sermons. It is here where the lord set the ‘wheel of law’ in motion. Stupas like Dhamek Stupa and Chowkhandi Stupa are situated inside the enshrined temple. The temple aims to inculcate its thousands of visitors about the history and impact of Buddhist cultures.
Bharat Mata Mandir
The temple located in Varanasi is dedicated to Bharat Mata with the national flag in her hand and a tri-colored sari adorning the idol, who is regarded as a symbolized figure of unity in Diversity and integrity in India. It acquires a huge map of the Mother India on the ground denoting the statue of the Goddess or the Mother of India.
-Prepared by Bhavana Rathi of NewsGram. Twitter @tweet_bhavana
Handicrafts are the products which are mostly made by hand.
The history of Indian handicrafts can be divided into three eras: Pre British, British era, and Post Independence.
Clay craft is the earliest form of crafts to have existed in India.
New Delhi, September 28, 2017: Handicrafts in India have a long history. From ancient to the contemporary times, handcrafters have preserved this art. This art has been passed on from one generation to the next. Pottery making, in fact, is one of its forms, whose existence can be traced back to the Harappan Civilization.
What are handicrafts?
Handicrafts are products that are produced either completely by hands or involve tools. Mechanical tools could also be used as long as the manual contribution of the artisan remains the central component of the produced object. The production of these crafts require great skill and represents a particular expression, culture or tradition. Handicrafts could hold a number of values, some of them being aesthetic, cultural, decorative, utilitarian, religious, functional etc.
Historical Perspective of Indian Handicrafts:
To understand the historical perspective of Indian handicrafts, we need to go back in time. Let’s take a look at the development and decline of the artisanal production under three different time periods: before the arrival of British in India, Under colonial rule, and after India got independence.
History of Indian Handicrafts Before the arrival of British:
Art and crafts, as we have already mentioned, has been a tradition in India since long. Textiles, the most important of the Indian handicrafts, reached the zenith of perfection during the Mughal period. While under Mughals, it was the art of weaving and silk spinning that scored refinement; it was metal works, ivory works and jewelry that reached great potential during the Gupta period. The handicrafts production during that time can be divided in four broad categories. The first category dealt with the village economy under the jajmani system, in which the products were articles of daily use. The second category was integrated with the urban areas, where artisans produced crafts mainly for the purpose of sale. The third category concerns the dadni system, in which the merchants advanced cash to the artisans for production. The final category includes the Karkhanas, where skilled artisans produced luxury crafts under the command of kings or high nobles. Handicraft production was the second biggest source of employment in the pre-British India.
History of Indian Handicrafts Under Colonial Rule:
Under the British rule, production of Indian Handicrafts faced a rather sharp decline. When the East India Company was in power, it forced monopoly over the production of artisans from Bengal, and the price of these products were fixed 15-40% lower than their actual market price. What came as the biggest blow to the Indian artisans, however, was the removal of most of the Indian princes and nobles, which as an effect, led to the destruction of the artisan’s major market.
History of Indian Handicrafts Post-Independence:
The plight of the artisans and the cultural importance of artisanal production was taken into accord after India got independent. The establishment of All India Handicrafts Board in November 1952, to look at the problems and find solutions concerning Indian Handicrafts; the Handicrafts and Handloom Export Corporation of India Ltd in 1958, to promote handicrafts exports; Opening of Crafts Mueseum in 1953 in Delhi, to develop people’s interest in handmade Indian goods, all alluded to the idea that India had finally realized the importance of its art and crafts, and did not want to leave any stone unturned for its development.
A brief history and development of different form of handicrafts in India:
Clay craft and pottery: Clay craft is the earliest form of crafts to have existed, in India or in the world. A simple earthenware made of clay or ceramic has been created and used by the rural population for centuries. Potters have had an integral traditional link with the villages. The earthen pottery has only been developing, with the addition of new colors, figures of gods and goddesses, and decorative elements like flowers.
Main centers: Uttar Pradesh (Nizamabad and Chinhat), where the pottery is dark black; Bengal which produces large figures of gods, especially on the occasion of Durga Puja; In Kashmir, Srinagar is the place where special glazed pottery is made; Terra-cotta roof tiles are a tradition in Orissa and Martha Pradesh; both Rajasthan and Karnataka are popular for their black pottery; Manipur in the northeast is also famous for its pottery.
Wood craft: Wood craft is widely produced and used throughout the country, with the most important products being household furnitures, carts and decorative objects. Baskets for storage and Toys, both for play and decoration are also made on a large scale.
Main centers: The elegant use of wood by skilled craftsmen can be seen in the houses at Gujrat and Kerala. Kashmir acquires a special position in this category of craft, with the walnut and deodar being the most favorite woods there. Saharanpur in U.P is also quite famous for its wooden furniture and objects of decoration.
Metal craft: Copper was the most widely used metal in India before Iron joined in. Utensils, jewelry, dagger, axe heads etc in the harappan finds suggest that casting of copper objects made use of moulds. Bronze was also an important metal for the artisan production. The skills of craftsmen on metals are of various types, such as embossing, engraving, moulding etc.
Main centers: Kashmir (Srinagar) and Ladakh (Zanskar) are the two main centres. In Uttar Pradesh, Moradabad, Aligarh, Varanasi are the main centres of metal craft. Kerala specializes in the bell metal, whereas Bidar in Karnataka is noted for its Bidri work. Tribal groups in India also appear to hold their specific metal craft traditions.
Stone craft: Stones, without a shadow of doubt, have been there with humans since the earliest. They have been crafted into various products such as tools, decorative objects, sculptures and even jewelry. Statue of Yakshi of Didarganj is one fine piece of stone sculpture and dates back to the Maurya period. Majestic Qutub Minar in Delhi, and forts at Agra, Delhi, Jaipur are all works of stone craft.
Main centers: Rajasthan due to a large availability of stones tops the list of most prominent places for stone works. Salem district in Tamil Nadu also makes it to the list along with Gaya in Bihar. The stone cutters of Orissa also share a long history with the craft.
Ornaments and jewelry: From grass jewelry to that of gold and diamonds, one can witness great diversity when it comes to ornaments and jewelry in India. Gold, gems, silver, diamonds, other metals and precious stones are some materials used for making ornaments. Bones, horns, sea shells, lac, glass etc are also used in many parts of the country to create ornaments. The Harappan finds revealed a number of ornaments, indicating their existence since long. There are many references in Ramayana and Mahabharata of gold being precious objects.
Main centers: Western ghats and Matheran in Maharashtra are noted for grass ornaments. Gujarat and Rajasthan share a rich and long tradition of jewelry. Kashmir is one of the most prominent places, again, with its exquisite jewelry, Varanasi and Awadh of U.P. are famous for gold studded jewelry.
Textiles: India had had one of the richest traditions of textiles made from different raw materials. It won’t be wrong to say that Indian textiles tend to reflect Indian culture and religious beliefs. Bengal was the chief center of cotton production and Carpet weaving reached its zenith at the time of Mughals. The most commonly knows fabrics are cotton, wool and silk. The three main techniques used for patterning are weaving, embroidery and dyes.
Main centers: Orissa and Andhra Pradesh are famous for ikat fabric, Gujarat and Rajasthan for bandhani, U.P. and Bengal for jamdani fabrics. Rajasthan is also noted for Masoria fabric.
-prepared by Samiksha Goel of NewsGram. Twitter @goel_samiksha
Any kind of physical or mental harm towards women is deemed as “crime against women”
Domestic violence is the most dominant crime against women
Andhra Pradesh state is the highest to report crimes against women in the period of ten years
Sep 20, 2017: A report released by the National Crime Records Bureau (NCRB) suggests that crimes against women have increased violently in the last ten years with an estimated figure of 2.24 million crimes. The figure is also suggestive of the fact: 26 crimes against women are reported every hour, or one complaint every two minutes, reports IndiaSpendanalysis.
The most dominant crime against women with 909,713 cases reported in last decade was ‘cruelty by husbands and relatives’ under section 498‐A of Indian Penal Code (IPC).
‘Assault on women’ booked under section 354 of IPC is the second-most-reported crime against women with 470,556 crimes.
‘Kidnapping and abduction of women’ are the third-most-reported crime with 315,074 crimes, followed by ‘rape’ (243,051), ‘insult to modesty of women’ (104,151) and ‘dowry death’ (80,833).
The NCRB report also listed three heads, namely commit rape (4,234), abetment of suicide of women (3,734) and protection of women from domestic violence (426) under which cases of crime against women have been reported in 2014.
Andhra Pradesh has reported the most crimes against women (263,839) over the past 10 years.
Andhra Pradesh state is the highest (263,839) to report crimes against women in the period of ten years. Crimes reported for insult (35,733) ranks first followed by cruelty by husband relatives (117,458), assault on women with intent to outrage her modesty (51,376) and dowry-related deaths (5,364).
West Bengal (239,760) is second most crime against women state followed by Uttar Pradesh (236,456), Rajasthan (188,928) and Madhya Pradesh (175,593).
Abduction increased up to three folds over the recent years, with Uttar Pradesh being the worst affected state. Cases rose from 15,750 cases in 2005 to 57,311 cases in 2014.
Prepared by Naina Mishra of Newsgram. Twitter @Nainamishr94
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