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Working in Pakistan depends on Circumstances and Government, says Veteran actor Naseeruddin Shah

Many Indian political organisations and artistes have opposed working with Pakistani artistes

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Naseeruddin Shah being felicitated with a memento by the Registrar Dr. Asfar Ali Khan. Flickr
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Dharamsala, November 7, 2016: Veteran actor Naseeruddin Shah, who has previously appeared in Pakistani films like “Khuda Kay Liye” and “Zinda Bhaag”, says he will work in Pakistani films only when the relation between the two nations would be good. He feels that the Indian government should decide whether Pakistani artistes be allowed to work in India.

“It depend on the future circumstances whether I would work in Pakistan or not. I don’t know what circumstances will be there (in future). When I will get an offer from Pakistan in future, then I will look through the circumstances and then decide,” Naseeruddin said at a press conference at the fifth edition of Dharamshala International Film Festival here on Sunday.

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“I have worked in two Pakistani films. In last few years we went to Pakistan to do our theatre shows, but this year we were not able to go there,” he added.

Following the September 28 Uri terror attack, which left 19 Indian soldiers dead, the tensions between India and Pakistan has hit hard on the film industry on both sides of the border. Many Indian political organisations and artistes have opposed working with Pakistani artistes.

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Asked whether the Indian government should think about banning Pakistani artistes from working in India, Naseeruddin said: “The government will decide what should be done in it. I feel that we should respect the government’s decision. Whatever the government would decide, that will be correct for me and if the government says no to Pakistani artists, than it’s obvious that nobody will work with them, not even me.”

Meanwhile, Naseeruddin, who has been a part of the Indian entertainment industry for over four decades, said in India, both “playwriting and screenplay writing has not evolved”.

“Nothing can be said about screenplays of our films. If we look at Indian films that are considered ‘brilliant’, 90 per cent of their screenplays are lifted off from somewhere. Rest of them are recycled from old films. Now we have become used to it and also like it,” he said.

Naseeruddin, who directed the 2006 film “Yun Hota To Kya Hota”, says he doesn’t have any intentions to direct a film again.

“I once tried to direct a film, but I will never do that. It’s out of my reach and a very difficult job,” he said.

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About today’s younger lot of directors, he said: “This phase of Indian cinema is exciting, but it is in the same way as 1970s were exciting when Shyam Benegal, Govind Nihlani, Saeed Mirza were directing and Satyajit Ray was at his peak. That was a very exciting time. We thought that the world of cinema is going to change. But nothing happened.

“So it’s premature to celebrate. All of these youngsters who are coming out now are making movies which are not bound by those old formulae. They are trying very hard, not only filmmakers, theatre directors as well. Hopefully there would be some kind of improvement, but what you do with the audience addicted to the rubbish. They cannot do without it.” (IANS)

 

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Indo-Pak Peace Talks Futile Unless Islamabad Sheds Links with Terrorism, says Study

A Study by a U.S. think tank calls India and Pakistan talks futile, until Pakistan changes its approach.

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India and Pakistan
India and Pakistan. Wikimedia.

A Top United States of America (U.S.) think tank, Carnegie Endowment for International Peace called the relations between India and Pakistan futile, unless Islamabad changes its approach and sheds its links with Jihadi terrorism.

A report “Are India and Pakistan Peace Talks Worth a Damn”, authored by Ashley J Tellis stated that such a move supported by foreign countries would be counterproductive and misguided.

The report suggests that International community’s call for the India and Pakistan talks don’t recognize that the tension between the two countries is not actually due to the sharp differences between them, but due to the long rooted ideological, territorial and power-political hatred. The report states that these antagonisms are fueled by Pakistani army’s desire to subvert India’s powerful global position.

Tellis writes that Pakistan’s hatred is driven by its aim to be considered and treated equal to India, despite the vast differences in their achievements and capabilities.

Also ReadMilitant Groups in Pakistan Emerge as Political Parties : Can Violent Extremism and Politics Co-exist? 

New Delhi, however, has kept their stance clear and mentioned that India and Pakistan talks cannot be conducted, until, the latter stops supporting terrorism, and the people conducting destructive activities in India.

The report further suggests that Pakistan sees India as a genuine threat and continuously uses Jihadi terrorism as a source to weaken India. The report extends its support to India’s position and asks other international powers, including the U.S., to extend their support to New Delhi.

Earlier in September, Union External Affairs Minister Sushma Swaraj in the United Nations General Assembly (UNGA) slammed Pakistan for its continuous terror activities. She attacked the country by saying that India has produced engineers, doctors, and scholars; Pakistan has produced terrorists.

Sushma Swaraj further said that when India is being recognised in the world for its IT and achievements in the space, Pakistan is producing Terrorist Organisations like Lashkar-e-Taiba. She said that Pakistan is the world’s greatest exporter of havoc, death and inhumanity.

-by Megha Acharya  of NewsGram. Megha can be reached at @ImMeghaacharya.