Saturday November 16, 2019
Home Uncategorized Manoj Bajpaye...

Manoj Bajpayee: Homosexuals much more accepted in society

0
//

New Delhi: The National Award-winning actor Manoj Bajpayee believes that the majority has begun to accept the LGBT community and it’s the ‘minority’ who need to change their outlook towards homosexuals.

The country’s colonial-era provision of Section 377 of the Indian Penal Code, that criminalises homosexuality, continues to dread the homosexual community.

The National Award-winning actor, who is known for his power-packed, character-driven roles, is earning accolades for portraying the late Aligarh Muslim University academician Shrinivas Ramchandra Siras in Hansal Mehta’s “Aligarh”. Siras was suspended from his job as a professor because of his sexual orientation. He was found dead in his apartment in Aligarh in 2010.

“I am treating this as the biggest truth and I am ready to believe that today homosexuals are much more accepted in society. It is just that this minority who is aggressive, violent and loud that we have to keep on making these films to change their mind, to make them think and to keep the debate going,” Manoj told reporters in a candid tete-a-tete here.

Dressed in a casual white shirt and light blue denim, Manoj’s eyes lit up while he expressed the view that society, unfortunately, tends to take this “minority” as the “majority” when it comes to rights of the lesbian, gay, bisexual and transgenders.

“I always believe in the thing that there is a minority in our society, which is very loud in their voices, who get this liberty from god knows where to invade into anybody’s privacy,” he asserted.

Manoj’s character in the film is a reserved mind, who loves Marathi literature, Lata Mangeshkar’s songs and whisky.

“He also has a very deep understanding of the word love and where he is talking about uncontrollable urge, which is very natural. This is what happens to me… I am heterosexual. It happens to me when I find a girl very attractive. When you love somebody, you love somebody completely…” the actor eloquently explained what love means to both Siras and him.

“You can fall in love with anything… With a certain kind of bird or a butterfly… Love has a broader meaning,” he added.

In 1998, Manoj captivated the imagination of Indian cinegoers as the underworld don Bhiku Matre in “Satya”. A year later, he stunned audiences as the honest police inspector Samar Pratap Singh in “Shool” and went on to do several memorable films before gaining mass acclaim as Sardar Khan in “Gangs of Wasseypur”.

Having done so much in films and theatre, the 46-year-old actor said he isn’t getting any younger. And he has shown it in his role of Siras, a sexagenarian.

“With age and experience, you only learn a lot about human beings. It is that and the craft… All of them together, along with research, which made me understand the minutest details of Siras. Understanding his soul, his state of mind, was very difficult and extremely important for me,” Manoj said.

However, he said that the techniques used by actors to get into the roles may not be understood easily by outsiders.

“The technique that we use is purely from actor to actor, but it is very difficult for an outsider to understand as to what we do, and what kind of workshop we conduct for ourselves,” he added.

Calling his role in “Aligarh” a “very challenging” task, Manoj said he had a “lot of responsibility towards the community and towards a life which was so pure and spiritual and dealing with a man who fought a very reluctant battle”.

Earlier this month, the Supreme Court referred to a constitution bench the curative petition seeking a relook at its earlier verdict upholding the validity of Section 377. Manoj says he is “very hopeful” that the bench will come out with a “constructive decision”.

“Aligarh”, which also stars actor Rajkummar Rao, released on Friday. (Ankit Sinha, IANS)

Next Story

Anil Kapoor: I Need To Learn How To Go Easy On Myself

Actor Anil Kapoor says that he needs to learn to go easy on himself

0
Actor Anil Kapoor
Anil Kapoor says that he has always been his worst critic. Wikimedia Commons.

After four decades in Bollywood, Anil Kapoor feels he needs to learn how to go easy on himself, and that is his biggest challenge. The actor says he has always been his worst critic.

Anil entered the industry with a small role in 1979 with Umesh Mehra’s “Hamare Tumhare”, and then went on to carve his niche by balancing his stature as a respectable actor and his popularity as a saleable star, with performances including “Woh 7 Din”, “1942: A Love Story”, “Mr. India”, “Tezaab”, “Ram Lakhan”, “Lamhe”, “Beta”, “Taal”, “Nayak: The Real Hero” and “Pukar”.

At 62, he has managed to keep himself relevant in the forever fickle world of Bollywood showbiz, and his fit and sprightly persona defies his age. Anil insists his constant struggle is to go easy on himself.

“I’ve always been hard on myself and I’m always my own worst critic. So my biggest challenge continues to learn to go easy on myself and to let go when I need to,” Anil told IANS.

He says his career goals continue to be the same as they were all those years ago, when he was starting out.

“Strangely enough, my goals haven’t changed much! I’m a simple man with a simple plan — to be better than I was yesterday. So that’s what I continue to strive towards,” said the actor.

Anil Kapoor
Anil Kapoor feels that Cinema is the most engaging way in which stories are told. Wikimedia Commons

If anything, he has managed to stay relevant by experimenting with his craft and subjects, as trends changed in Bollywood over the past 40 years.

There have been the international forays, too. He featured in Danny Boyle’s Oscar-wiing global blockbuster “Slumdog Millionaire”, and also worked in “24”, “Mission: Impossible – Ghost Protocol” and “Family Guy”.

His versatility is proved by the fact that he was equally at home in these international projects as he was in out-and-out Bollywood outings as “No Entry”, “Welcome”, “Race”, “Dil Dhadakne Do”, “Mubarakan”, “Fanney Khan”, “Ek Ladki Ko Dekha Toh Aisa Laga” and “Total Dhamaal”.

“I’ve always believed that change is the only constant. So, I have let life and opportunities change me along the way, in the most organic ways possible. The only thing that hasn’t changed is the passion I feel for my work,” said the actor, who recently became part of a panel discussion by Royal Stag Barrel Select Large Short Films in Kolkata to decode “what makes films powerful”, as part of a six-city tour.

Royal Stag Barrel Select Large Short Films brings stars together to talk about the power of cinema and the short film genre. The panel discussion in Kolkata was moderated by Anupama Chopra, and also included Rakeysh Omprakash Mehra, Vinay Pathak, Sheetal Menon, Bejoy Nambiar and Niranjan Iyengar.

“Cinema is perhaps the most engaging way in which stories are told and shared”, he said, adding: “And stories have always had the power to shape minds and lives.”

The actor points out that power comes with a sense of responsibility.

Anil Kapoor
Anil Kapoor along with ‘Shootout at Wadala’ cast at a promotional event. Wikimedia Commons

“Anyone in a position to influence minds and hearts has a responsibility towards the people they are reaching. Not everyone is fortunate enough to have the right platform and a mouthpiece to communicate with the world, so when you do, it comes with the duty to be mindful of the message you’re sharing and affirming,” said the father of three.

Anil will be back on the big screen in Anees Bazmee’s “Pagalpanti”, with whom he has in the past worked in “No Entry”, “Welcome”, “No Problem”, “Welcome Back” and “Mubarakan”.

Also Read- Talent Is Gender Neutral: Nawazuddin Siddiqui

“Pagalpanti” also stars John Abraham, Arshad Warsi, Pulkit Samrat, Ileana D’Cruz, Kriti Kharbanda, Urvashi Rautela and Saurabh Shukla, and is slated to release on November 22.

The film is produced by Bhushan Kumar and Krishan Kumar’s T-Series and Kumar Mangat Pathak and Abhishek Pathak’s Panorama Studios and co-produced by Vinod Bhanushali, Shiv Chanana, Aditya Chowksey and Sanjeev Joshi. (Bollywood Country)