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Is Chutney out of place in Carnival?

Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music

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Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. Wikimedia Commons
Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. Wikimedia Commons
  • Chutney soca music is a crossover style of music incorporating Soca elements
  • The satire on Prime Minister Rowley’s mother has been arguably the most controversial song in the history of calypso, soca and chutney in the country.
  • It is the International Chutney Queen Competition to be held on February 2 at Guaracara Park in San Fernando, the second largest city in the country

By Dr Kumar Mahabir

When people get angry, they tend to speak their mind. Their emotions explode in words that they have been suppressing for some time. Psychologist Dr Jeffrey Huntsinger proved this theory after conducting experiments at Loyala University in Chicago in the USA in 2012.

Chutney Soca promoter George Singh really spoke his mind when he became upset on learning that his 2018 show was not funded by the National Lotteries Control Board (NLCB), an agency of the Afro-dominated Government in multi-ethnic Trinidad and Tobago  (T&T).

At a news conference which he convened, Singh said that “the decision by the Government not to support chutney soca was an insult to the art form” (Express 05/02/17).

George Singh is a Chutney Soca promoter. Wikimedia Commons
George Singh is a Chutney Soca promoter. Wikimedia Commons

Singh raged: “The Government, over the last three years, has consistently reduced funding to Chutney Soca Monarch and various members of the present administration have stated directly to me that chutney soca brings no value to Carnival” (emphasis added).

At the same news conference, Singh said that the Government had approved a budget of TT $146 million to the National Carnival Commission (NCC).

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“I think this administration is hell-bent on seeing that it [chutney soca] has no place in Carnival. It is a slap in the face to Indo-Caribbean entertainment,” he said.

Singh’s outburst was a public exposé of what the Indo-Trinidadian (Indian) community had always known i.e. Indian culture (e.g. chutney, pichakaree ) is given marginal or no space in “national” and regional shows (e.g. CARIFESTA).

Sing’s rant is more revealing since he has admitted that he has “family ties” to Attorney General Faris Al-Rawi (Express 27/12/17).

Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. Wikimedia Commons
Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. Wikimedia Commons

In all his anger, Singh was careful not to confirm what almost every Trinidadian suspected i.e. that Government initially denied him funding because he was allowing Massive to perform his hot chutney hit “Rowlee Mudda Count.”

The satire on Prime Minister Rowley’s mother has been arguably the most controversial song in the history of calypso, soca and chutney in the country.

I have always contended that chutney concerts, competitions, tents and fêtes must be recognised as part of Carnival and must be a given an equitable share of culture funds, media space and stage presence.

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My argument is contained in detail in a chapter entitled “Chutney Music in Carnival:

Re-defining National Identity in Trinidad and Tobago” in the book Caribbean Dynamics:

Re-configuring Caribbean Culture (2015). The book is edited by Drs Beatrice Boufoy-Bastick Savrina Chinien and published by Ian Randle in Jamaica.

In the chapter, I discussed how Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. To this day, the major players and champions of calypso, soca, extempo, steelpan and masquerade, whether in Jouvert (“Jour Ouvert”) or Dimanche Gras, remain participants of African descent.

The emergence of chutney music and artists in 1995 – when Basdeo Panday was elected as the first Indian Prime Minister of T&T – was historic. In 1996, the rendition of Sonny Mann’s runaway hit “Lotay La” by DJs in soca parties, and by steel bands as their Road Mach tune during Carnival signalled the advent of chutney into the national urbanized festival/centre.

Chutney is being strongly influenced by calypso and soca rhythms and dance styles. Wikimedia Commons
Chutney is being strongly influenced by calypso and soca rhythms and dance styles. Wikimedia Commons

In the following years, Indians continued to change the ontology of “the national festival” to the extent that Carnival has to be re-defined to include Chutney Monarch, Chutney Brass, Chutney Soca, Chutney Calypso, Chutney Glow and Chutney Mardi Gras.

For the first time this year, a new chutney show is being introduced to the Carnival calendar. It is the International Chutney Queen Competition to be held on February 2 at Guaracara Park in San Fernando, the second largest city in the country. The event is being hosted by Randy Glasgow Productions.

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Chutney is being strongly influenced by calypso and soca rhythms and dance styles, but the genre is also used as an alternative to the Afro-Creole music formats. There have been two institutionalised chutney calypso theatres: “D” Massive Gosine Roving Calypso/Chutney Tent and the National Chutney Calypso Touring Tent.  Now in its eighth year is the National Carnival Schools Intellectual Chutney Soca Monarch Competition held at the Queen’s Park Savannah in Port of Spain.

These chutney competitions cum fêtes allow Indians to gain a sense of inclusion in this grand “national” festival, although on the periphery of the capital city. These cultural incursions also allow Indians to actively participate in Carnival without losing their (sense of) ethnic identity.

Dr Kumar Mahabir is an anthropologist who has published 11 books
Dr Kumar Mahabir is an anthropologist who has published 11 books

In 1998, cultural critic Burton Sankeralli wrote: “Indians are claiming Carnival space as Indians…. [and] … The flagship of this Indocentric presence and contestation for space is chutney …” With the re-creation of chutney, Indian artists are refusing to be subjected to silence and invisibility on mainstream radio, television, newspaper and the stage.

Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. The subversive spirit of calypso and Carnival is perhaps being re-incarnated in chutney.

(Dr Kumar Mahabir is an anthropologist who has published 11 books)

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Governments Around The World are Learning to Confuse Dissidents on Social Media

The researchers, who published their findings in a recent issue of Political Science Research and Methods, specifically examined social media from both the Venezuela regime and its opposition

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The regime also seemed to develop a more sophisticated approach to using hashtags on Social Media. The regime used long hashtags, as opposed to the shorter hashtags that are more commonly used, to promote distraction among the protest groups. Pixabay

Governments the world over are learning new tactics to quash dissent on various Social Media platforms, responding with tweets designed to distract and confuse like longer hashtags, according to a team of political scientists.

In a study of Twitter interactions during Venezuela’s 2014 protests, in which citizens voiced opposition to government leaders and called for improvements to their standard of living, the tweets of the protesters focused mainly on the protest itself, while the tweets issued by the ruling regime covered more diverse topics.

This could mean that regimes are growing more savvy in their use of social media to help suppress mass movements.

“When we started doing this study there had been a lot of optimism about the capacity of social media to produce revolutions throughout the world, like Arab Spring and the Color Revolutions in Europe,” said Kevin Munger, assistant professor of political science and social data analytics, Penn State.

“But it seems like, in hindsight, this was the result of short-term disequilibrium between the capacity of the masses to use this technology and the limited capacity of these elites to use it.”

A lot of these elites may have not been keeping up with modern communication technology and got caught unawares.

So, for that short period of time, social media did produce better outcomes for revolutions and mass movements.

The researchers, who published their findings in a recent issue of Political Science Research and Methods, specifically examined social media from both the Venezuela regime and its opposition.

Social Media
Governments the world over are learning new tactics to quash dissent on various Social Media platforms, responding with tweets designed to distract and confuse like longer hashtags, according to a team of political scientists. Pixabay

Following the death of Venezuelan President Hugo Chavez in early 2013, Nicolas Maduro, Chavez’s vice-president, won a special election.

After his election, mass protests erupted related to economic decline and increased crime.

In their analysis, the researchers noted that the regime abruptly shifted its Twitter strategy after protests swept across the country.

The topics of the regime’s tweets became even more diverse than usual — including such topics as a tree-planting event — and often did not address the protests at all.

As the protests continued, however, the researchers said that the opposition also became less focused, which the researchers suggest may have been a reaction to the regime’s social media strategy.

The way that attention works on social networks offers a glimpse into why the strategy to distract citizens might be effective, added Munger, who worked on the study while a doctoral student in politics at New York University.

Social Media
Regimes are growing more savvy in their use of Social Media to help suppress mass movements. Pixabay

“To have effective protests, you need to have a ton of people coordinated on a single message, so spreading other narratives disrupts that process of coordination,” said Munger.

“Being able to spread doubt is effective. You don’t have to get people to love your regime, you just need people to less convinced of the single narrative.”

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The regime also seemed to develop a more sophisticated approach to using hashtags. The regime used long hashtags, as opposed to the shorter hashtags that are more commonly used, to promote distraction among the protest groups. (IANS)