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Is Chutney out of place in Carnival?

Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music

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Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. Wikimedia Commons
Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. Wikimedia Commons
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  • Chutney soca music is a crossover style of music incorporating Soca elements
  • The satire on Prime Minister Rowley’s mother has been arguably the most controversial song in the history of calypso, soca and chutney in the country.
  • It is the International Chutney Queen Competition to be held on February 2 at Guaracara Park in San Fernando, the second largest city in the country

By Dr Kumar Mahabir

When people get angry, they tend to speak their mind. Their emotions explode in words that they have been suppressing for some time. Psychologist Dr Jeffrey Huntsinger proved this theory after conducting experiments at Loyala University in Chicago in the USA in 2012.

Chutney Soca promoter George Singh really spoke his mind when he became upset on learning that his 2018 show was not funded by the National Lotteries Control Board (NLCB), an agency of the Afro-dominated Government in multi-ethnic Trinidad and Tobago  (T&T).

At a news conference which he convened, Singh said that “the decision by the Government not to support chutney soca was an insult to the art form” (Express 05/02/17).

George Singh is a Chutney Soca promoter. Wikimedia Commons
George Singh is a Chutney Soca promoter. Wikimedia Commons

Singh raged: “The Government, over the last three years, has consistently reduced funding to Chutney Soca Monarch and various members of the present administration have stated directly to me that chutney soca brings no value to Carnival” (emphasis added).

At the same news conference, Singh said that the Government had approved a budget of TT $146 million to the National Carnival Commission (NCC).

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“I think this administration is hell-bent on seeing that it [chutney soca] has no place in Carnival. It is a slap in the face to Indo-Caribbean entertainment,” he said.

Singh’s outburst was a public exposé of what the Indo-Trinidadian (Indian) community had always known i.e. Indian culture (e.g. chutney, pichakaree ) is given marginal or no space in “national” and regional shows (e.g. CARIFESTA).

Sing’s rant is more revealing since he has admitted that he has “family ties” to Attorney General Faris Al-Rawi (Express 27/12/17).

Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. Wikimedia Commons
Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. Wikimedia Commons

In all his anger, Singh was careful not to confirm what almost every Trinidadian suspected i.e. that Government initially denied him funding because he was allowing Massive to perform his hot chutney hit “Rowlee Mudda Count.”

The satire on Prime Minister Rowley’s mother has been arguably the most controversial song in the history of calypso, soca and chutney in the country.

I have always contended that chutney concerts, competitions, tents and fêtes must be recognised as part of Carnival and must be a given an equitable share of culture funds, media space and stage presence.

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My argument is contained in detail in a chapter entitled “Chutney Music in Carnival:

Re-defining National Identity in Trinidad and Tobago” in the book Caribbean Dynamics:

Re-configuring Caribbean Culture (2015). The book is edited by Drs Beatrice Boufoy-Bastick Savrina Chinien and published by Ian Randle in Jamaica.

In the chapter, I discussed how Carnival in Trinidad has long been the cultural preservation of the Afro-Trinidadian (African) community. To this day, the major players and champions of calypso, soca, extempo, steelpan and masquerade, whether in Jouvert (“Jour Ouvert”) or Dimanche Gras, remain participants of African descent.

The emergence of chutney music and artists in 1995 – when Basdeo Panday was elected as the first Indian Prime Minister of T&T – was historic. In 1996, the rendition of Sonny Mann’s runaway hit “Lotay La” by DJs in soca parties, and by steel bands as their Road Mach tune during Carnival signalled the advent of chutney into the national urbanized festival/centre.

Chutney is being strongly influenced by calypso and soca rhythms and dance styles. Wikimedia Commons
Chutney is being strongly influenced by calypso and soca rhythms and dance styles. Wikimedia Commons

In the following years, Indians continued to change the ontology of “the national festival” to the extent that Carnival has to be re-defined to include Chutney Monarch, Chutney Brass, Chutney Soca, Chutney Calypso, Chutney Glow and Chutney Mardi Gras.

For the first time this year, a new chutney show is being introduced to the Carnival calendar. It is the International Chutney Queen Competition to be held on February 2 at Guaracara Park in San Fernando, the second largest city in the country. The event is being hosted by Randy Glasgow Productions.

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Chutney is being strongly influenced by calypso and soca rhythms and dance styles, but the genre is also used as an alternative to the Afro-Creole music formats. There have been two institutionalised chutney calypso theatres: “D” Massive Gosine Roving Calypso/Chutney Tent and the National Chutney Calypso Touring Tent.  Now in its eighth year is the National Carnival Schools Intellectual Chutney Soca Monarch Competition held at the Queen’s Park Savannah in Port of Spain.

These chutney competitions cum fêtes allow Indians to gain a sense of inclusion in this grand “national” festival, although on the periphery of the capital city. These cultural incursions also allow Indians to actively participate in Carnival without losing their (sense of) ethnic identity.

Dr Kumar Mahabir is an anthropologist who has published 11 books
Dr Kumar Mahabir is an anthropologist who has published 11 books

In 1998, cultural critic Burton Sankeralli wrote: “Indians are claiming Carnival space as Indians…. [and] … The flagship of this Indocentric presence and contestation for space is chutney …” With the re-creation of chutney, Indian artists are refusing to be subjected to silence and invisibility on mainstream radio, television, newspaper and the stage.

Chutney has been able to resist the domination of calypso as the heartbeat of Carnival music. The subversive spirit of calypso and Carnival is perhaps being re-incarnated in chutney.

(Dr Kumar Mahabir is an anthropologist who has published 11 books)

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Political Climate Accused Of Encouraging The Promotion Of Black Money

There is a third reason why people who are tracking black money should not be looking at Swiss Banks

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Political Climate Accused Of Encouraging The Promotion Of Black Money. Pixabay

Last week, the political climate was charged with accusations that the government had actually begun encouraging the promotion of black money. Prima facie, the charges seemed to have some merit in them. Swiss bank deposits from India had swelled by 50%, one of the largest increases in recent times. But the accusation was a bit uncharitable. For three specific reasons.

First, even though the percentages seem high, the total amounts involved in Indian deposits with Swiss banks are not. At CHF 1.02 billion – even after accounting for the 50% jump – the amount is significantly lower than the CHF 6.46 billion in 2006 when the UPA was in power. In fact, Indian deposits with Swiss banks had been declining for the past three years – right from 2014 when Prime Minister Modi formed his government. It was only last year that the trend was broken and Swiss deposits began climbing again.

The second reason was that Indian deposits with Swiss banks account for just 0.07% of global deposits with Swiss Banks. That is one of the lowest levels ever during the last decade, overshadowed by an even lower share of 0.05% in 2017. At such percentages, India’s deposits with Swiss Banks are not much to rant and rail about.

There is a third reason why people who are tracking black money should not be looking at Swiss Banks. True, they were the best shelter for clandestine money in the past. But Switzerland has entered into several bilateral treaties for making disclosures about bank deposits to requesting states. That includes a treaty with India to provide real-time information with regard to Indians from January 2019. Obviously, any Indian who wants to stash away black money will not do so with Swiss Banks, because he would stand exposed.

There could, thus, be one credible explanation for the quantum of deposits in Swiss Banks going up. It could be found in the government’s decision to ram through amendments to the Foreign Corrupt Practices Act (FCRA) in March this year.

which seeks to exempt political parties from disclosing their source of funds from overseas. The courts had earlier demanded that political parties make these disclosures and the government thought it wiser to try and change the law instead. This move is now being challenged before the Supreme Court as being unconstitutional by public spirited persons like EAS Sarma. The decision of the court is still awaited. The amendment to the FCRA technically permits politically connected parties to put their money back with Swiss  Banks where it is safer than in tax havens with not-so-unblemished a banking record. If this explanation is correct, one could say that the government, in collusion with all other political parties (all have kept quiet about these amendments), are responsible for the spurt in Swiss deposits.

cartoon showing black money
Cartoon Showing Black money. Flickr

As mentioned in these columns earlier, if people want to look for black money, they should first demand a full fledged investigation into the agriculture income disclosures before the tax authorities during 2011 and 2012. What makes those disclosures horrifying is (a) they were larger than ever before; (b) the cumulative value of disclosures during the two years was a mind-boggling Rs 874 lakh crore (Rs 874 trillion); (c) the cumulative value  of disclosures was eight times India’s GVA for 2013, and almost 100 times the total tax collected in that year.

It can be found in the decision of the enforcement authorities of not auctioning off properties they have seized in the past – irrespective of whether they relate to the NSEL Scam or the politicians who are being investigated for corruption (on extremely narrow charges). Attachment of properties makes for big news, full of sound and fury. But the refusal to auction them off points to collusion.

It can be found in the files of scores of senior officials who were suspended, when fraud was discovered, and then reinstated when public memory died. It can also be found in the files that routinely get burnt in fires that take place at government offices – possibly aimed at making evidence disappear – especially when it comes to corrupt deals and land development scams.

Also read: Punjab’s Aam Aadmi Party and Its Political Self Goals

But these are things politicians do not like to talk about. Many of them are collusive partners in the generation of black money. Their silence in permitting the amendments to the FCRA is ample proof of their willingness to allow a cover-up. The rantings and ravings against Swiss Banks are, therefore, of no consequence. (IANS)