Never miss a story

Get subscribed to our newsletter

Filmmaker Arati Kadav. IANS

Filmmaker Arati Kadav does not believe in censorship of digital content. She believes the idea would snatch away the power of being fearless from a storyteller.

The ongoing furor over the web series “Tandav” has triggered conversation around censorship of digital content again. Opening up on the subject, Arati, who has directed the sci-fi films “Cargo” and “55km/sec”, feels instead of censoring content, the practice of inserting a rating and a disclaimer should be in place.

Keep Reading Show less


"Censorship has long plagued the sharp-edged satire and other nuances that are characteristic of Tamasha. Unsplash

Back in the early 1970s, Marathi playwright Vijay Tendulkar’s play ‘Sakharam Binder’ — which features the character of a bookbinder who ‘takes in’ women abandoned or dejected by other men and uses them as domestic help and sexual partners — struggled with the Stage Scrutiny Board (the censor board) and sections of society. In 2020, a play explores the idea of censorship in the arts through this story.

Titled ‘Sex, Morality, and Censorship’, the play is based on Vijay Tendulkar’s theatre classic ‘Sakharam Binder’s struggle with censorship. Recapturing the essence of Maharashtra’s folk arts ‘Tamasha’ and the spirit of the 1970s, the play offers a mix of theatre, live music, dance, and video. Play director Sunil Shanbag and co-writer Irawati Karnik this week hosted a guided viewing of the performance of the play recorded at the iconic Prithvi Theatre in Mumbai. The viewing took place on Paytm Insider’s theatre initiative, Front & Centre in collaboration with Studio Tamaasha’s monthly series – TheatreNama.

Keep Reading Show less
The Board was the pawn of the ruling regimes made or marred a film's prospects at the box office. Pixabay

There is a curious situation vis a vis the Censor Board of Film Certification! How relevant is its existence now? The Board, which was the pawn of the ruling regimes and which made or marred a film’s prospects at the box office.

The Cinematograph Act 1957, has rules laid down for what it describes as public viewing. Films were meant for public exhibition and, hence, needed to be monitored. Things started changing when television entered the scene. The CBFC had no control here as this was considered home entertainment and not public exhibition.

Keep Reading Show less
(AI)-based system automatically learns to evade censorship in India, China and Kazakhstan. Pixabay

Researchers have developed an Artificial Intelligence (AI)-based system that automatically learns to evade censorship in India, China and Kazakhstan.

The tool, called Geneva (short for Genetic Evasion), found dozens of ways to circumvent censorship by exploiting gaps in censors’ logic and finding bugs that the researchers said would have been virtually impossible for humans to find manually.

Keep reading... Show less